![]() The book serves as a catalogue for an exhibition of the same name that is currently showing through May 27 at the Palm Springs Art Museum in California. Southern California’s swimming pool culture is the subject of a new photography book, Backyard Oasis: The Swimming Pool in Southern California, 1945–1982 (DelMonico Books, $60), which features work by photographers and artists like Bill Anderson, John Baldessari, Ruth Bernhard, David Hockney, Ed Ruscha, Julius Schulman and Larry Sultan. No other warranties are expressed or implied.Herb Ritts, Richard Gere – Poolside, 1982, C-type print, Courtesy of the Herb Ritts Foundation, Los Angeles © Herb Ritts Foundation Prints are sold on a first come, first served basis. Returned prints must be postmarked within 10 business days of the original delivery date, be postage paid, and received in their originally delivered condition. Refunds do not include return shipping costs. Refunds apply only to the costs of the print(s) and any applicable sales taxes. If you are not completely satisfied, for any reason, you may return any purchased print (postage paid) within 10-days of receipt for a full refund. Terms and Conditions of SaleĪny silver gelatin print purchased from the Archive includes free shipping and a 10-day money back guarantee. Modern- Defined as any print made more than two (2) years after the original negative date, regardless the original negative date. Pre-Vintage- Defined as any print made within two (2) years of the original negative date, but the original negative, itself, is not yet 25 years old. ![]() Vintage- Defined as any print made within two (2) years of the original negative date, and the original negative is at least 25 years old. Vintage Print TerminologyĮach Silver Gelatin Print maintained within the Archive is classified in one of the following three (3) “Vintage” categories: Prices are subject to change without notice. Any print that carries a condition rating of less than “10” will be priced lower than the calculated retail price by a factor based upon the specific conditions associated with that print. “Vintage” prints are currently base-priced at twice (2x) the basic retail prices stated above. Images with fewer than three (3) prints remaining in the Archive will be priced higher. ![]() Please Note- The above outlined base retail prices assume a “Modern” or “pre-Vintage” print that has been rated as being in "Pristine" condition – i.e.- designated as being condition ten (10) – and for which there are three (3) or more prints of that specific image remaining in the Archive. To view a selection of prints from the Archive, itself, please visit the Silver Gelatin Print Gallery by clicking the image, below. To obtain detailed information regarding the availability and prices for any specific image to be delivered as a silver gelatin print from the Archive, please direct inquiries through the Contact page on this website. Conversely, any image on this site for which the title contains the year: 2004, or later, would definitely not be available as a silver gelatin print because Witherill discontinued using film sometime in 2003. For example, an image titled: Dune Form, Death Valley, 1974 indicates that particular image would have been originally shot in 1974 and as such, that image will be potentially available as a silver gelatin print. In order to determine whether or not any specific image is potentially available as a silver gelatin print, simply note that every image title contains a specific year date. If you are interested in purchasing archived silver gelatin prints made by Witherill, chances are good that the specific image you are interested in will be available through the Archive. For a detailed explanation about why Silver Gelatin Printing was discontinued after 2005, click here. Therefore, no silver gelatin prints were ever produced after 2005. And, beginning in 2006, he discontinued working in a traditional wet darkroom, altogether. Sometime during 2003, Witherill discontinued using film-based cameras. Those previously produced silver gelatin prints (both conventional enlargements and hybrid contact prints) remain available for purchase through the Archive. All prints maintained within the Archive (described in detail, below) were made exclusively by the photographer and each print was produced in a traditional wet darkroom, using conventional enlarging techniques (from 1970-1995) and a digital hybrid contact printing process (from 1995-2005). Huntington Witherill Silver Gelatin Print Archiveįrom 1970 through 2005, Huntington Witherill produced – and continues to maintain – an extensive collection of silver gelatin prints collectively known as the "Silver Gelatin Print Archive”.
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